| Chapter No. | Chapter Title | Chapter Author | Page No. |
| India Art History: Reminiscences and Reflections | Pratapaditya Pal | 1-9 |
| Narratives Scences Depiction on Coins: In Context of Incarnation | Onkar Nath Singh, Indrajeet Singh | 10-15 |
| Depiction of Birth of Buddha in Buddhist narrative Art | Sushil trivedi | 16-23 |
| Narrative art in a Gandhara Sculpture Depicting Birth Scene of Buddha | U.C. Dwivedi | 24-25 |
| Narrative Scenes in early Stone art of India, with Special reference to Andhra Art | M.L. Nigam | 26-29 |
| Ramayan a Story in Sequence from Apshad (Bihar) | C.P. Sinha | 30-31 |
| Mara's Fight as depicted in Indian Sculptures and Fresco-Paintings | G.K. Lama | 32-35 |
| Narrative Scene of Vamana-trivikrama Avatara in the Surya Kunda-Modhera (Gujarat) | Haripriya rangarajan | 36-44 |
| Problem of Identification of the Principal Warriors of Mahabharata War in Art Renderings-- A case Study in Research to Hoyasala Temples | Aparna Tripathi | 45-51 |
| New Discovered narrative Reliefs Depicting Krsna-lila in the Art of Mathura | Vinay Kumar Gupta | 52-62 |
| Narrative Scens in Indian Art | Kumud kanitkar | 63-69 |
| Depiction of Eksrnga Jataka | manjushree Rao | 70-73 |
| early Buddhist narrative art with Reference to Bharhut and Sanchi | Navin Kumar | 74-76 |
| Krsna-lila Scenes in the jagannatha temple at Puri, Orissa | nanda Kishor Swain | 77-86 |
| A Comparative Study of Krsna lila panel in North Indian temples with Special Reference to the Temples of Osian, Khajuraho and Orissa | Sashi bala Srivastava | 87-96 |
| A rare bas Relief from Sarnath | Jalaj Kumar Tiwari | 97-99 |
| Bishnupur Terracotta Panels-Narratives from Krsna-lila and their Esoteric Significance | Rita Sridhar | 100-110 |
| Narrative Scenes in Palmleaf manuscripts-A Search in Prof. N.K. Sahu Museum Sambalpur | P.K. Nayak | 111-114 |
| Narrative Scenes in Chamba Rumals | jasminder Kaur | 115-120 |
| Tribal Art & craft: Mirror of the Indian Art Tradition | A.K. Chatterjee | 212-127 |
| Defining Early Mediaeval Metal-Smithy Through Two Narrative Scenes | Nairanjana Srivastava | 128-134 |
| A Spiritual, Secular, Iconographic & Aesthetic Saga of Kuravar and Kurathi Sculptures in Krsnapuram Koyil , Tamil Nadu (Nayaka Period-Circa. 1563-73 A.D.) | jayalakshmi Yegnaswamy | 135-141 |
| Narrative Themes Related to water in Indian Art and Their Analysis Through Science | Preety A. Trivedi | 142-146 |
| "Mara-Vijaya': Panel at Ajanta [Cave-XXVI] | Shubhra Nag | 147-152 |
| Markandeya Narrative Panel from Hampi | C.S. vasudevan | 153-161 |
| Narrative Sculptures on Military System During Vijayanagar Period | S.Y. Somashekhar | 162-166 |
| Narrative Scenes in Akbar Style Painting | Jyotima & Sheilendra Kumar | 167-172 |
| Use of Ancient India art in Modern Advertising | Muktadevi P. Mohite | 173-177 |
| gandhiji's Ideology in Modern Indian Narrative art | Kanak lata Singh | 178-183 |
| Depiction of Narratives in the "Game-series" of Anupam Sud | Meenakshi Khemka | 184-187 |
