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One of the world’s oldest civilizations, if not the oldest, India is a vast country, with pluralities of religions, languages, ethnic groups, customs and cultures. Its every region exhibits countless works of art. Besides their incredible diversity, the antiquity of these objects of art is at once amazing. Even if the history of Indian art has, over the time, been extensively probed and written about from different viewpoints, it remains a relatively virgin area, holding out endless possibilities of research, fresh interpretations, and fresh studies. This festschrift, intended to honour a renowned museologist and art historian, is yet another scholarly effort in the direction.
Carrying 30 well-researched papers, written by noted art historians and scholars, the volume examines afresh a variety of art forms: stone sculptures, terracotta figurines, bas reliefs, bronzes, coins, murals, textiles, manuscripts and miniature paintings, among others. More specifically, it considers Lakshmi images in the art of the Paramaras, a unique icon of Siva, a rare image of Surya, rare Jain sculptures, newly discovered Brahma and Skanda images, medieval bronzes of Bihar, Gita-Govinda paintings, Ragamala painting series, ships in Ajanta murals, early Orissan art and architecture, Jain temples at Khajuraho, and several other themes. The papers here are supported by over 150 illustrations.
Dr M.L. Nigam (b. August 1933): the former Director of the prestigious Salar Jung Museum, Hyderabad, is a widely-acclaimed authority on museology, eminent art historian, poet, artist, untiring researcher and prolific writer. Elected Fellow of the Royal Asiatic Society of Great Britain and Ireland (in 1962-63), Dr Nigam is also a recipient of many awards/honours and has held numerous important positions. In recognition of his expertise in the field of museology, Government of India nominated him on a number of bodies: both national and international.
Dr Alok Tripathi: a highly distinguished scholar of underwater archaeology in the Asia-Pacific region, is currently Director, Centre for Archaeology and Museology, and also Head of the History Department, Assam University, Silchar. D.R. Gehlot is Joint Director General, Archaeological Survey of India. | | Top |
| Title Contents | | Chapter No. | Chapter Title | Chapter Author | Page No. | | Yajna Varaha Images of Paramara Period in Gujarat - An Analytical Study | Haripriya Rangarajan | 1 | | Gaja-Laksmi and Laksmi in the Art of the Paramaras | Manjushree Rao | 7 | | An Unique Icon of Tryambaka Siva from Tadipatri | M. Krishna Kumari | 15 | | A Rare Image of Surya from Hansi, District Hisar, Haryana | Milan Kumar Chauley | 25 | | Recently Discovered Brahma and Skanda images from Mora, Mathura | Vinay Kumar Gupta | 35 | | Critique of the Wheel-and-Deer Device | Kiran Kumar Thaplyal | 39 | | Some Rare Jain Sculptures from Gujarat | D.R. Gehlot | 51 | | Srivatsa Symbol on Buddha's Breast | A.L. Srivastava | 55 | | Two Narrative Scenes from Sarnath | Shailendra Kumar | 61 | | Outstanding Hamsavali Apsara in Sculptural Art | Manjushree Raoo | 65 | | Patralekha Apsara in Indian Museum - A Study | Abha Mishra Pathak | 71 | | Naga - The Serpent God in Worship and in Traditional Sculptural Art in Karnataka | Jayalakshmi Yegnaswamy | 77 | | Nagini and Manasa Icons in the Indian Museum | Sankar Rajan Majumdar | 85 | | Some Interesting Sculptures in Archaeological Museum, Chanderi | J. Manuel and A.K. Pandey | 91 | | The Veiled Rebekah | Gourisankar De | 103 | | The Medieval Bronzes of Bihar | C.P. Sinha | 109 | | Depiction of Vaisnava Themes on Ivory Covers of Some Manuscripts in Kerala | Preeta Nayar | 117 | | Unfolding the Meaning of Gita Govinda Paintings of N. C. Mehta Collection | Ratan Parimoo | 125 | | The Narratives of Bhagavata Purana and Mankot Bhagavata Paintings - A Comparative Study | Saroj Rani | 151 | | A Ragamala Painting Series in Bharat Kala Bhavan | Jyotima | 159 | | Ships in Murals of Ajanta | Alok Tripathi | 165 | | Early Orissan Art and Architecture - From 3rd century BCE to 3rd century CE | nanda Kishor Swain | 175 | | Endurance of Brahmanism in the Realm of Buddhism at Sanchi | Dillip Kumar Khamari | 191 | | Contributions of Jain Art with Special Reference to Jain Temples at Khajuraho | Maruti Nandan Pd. Tiwari and Shanti Swaroop Sinha | 199 | | Environment Renderings on the Entrance Doors of Temples at Khajuraho | Aparna Tripathi | 209 | | Temples of Paluvettaraiyars in District Perumbalur | C.R. Gayathri and R. Jeyaseelan | 219 | | Colonnade of the Diwan-i-khas, Agra Fort - A Prisoner in England | R. Nath | 225 | | Vasudeva-Krsna and Balarama - Their Representation on Ancient Indian Coins | Prashant Srivastava | 231 | | Dazzling and Glittering World of Nizam's Costumes | Anamika Pathak | 237 | | A Note on Famous Banaras Textile | Shailendra Kumar and Jyotima | 245 |
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Similar Books | | 1. Classical Indian sculpture, 300 B.C. to A.D. 500 / | | 2. Visual histories : photography in the popular imagination / | | 3. When jewellery speaks : celebrating the tradition of Kundan Minakaari / | | 4. Nelson Mandela / | | 5. The Vijayanagara-Nayakas : art and culture / | | Top |
| | Related Subjects | | 1. Art And Fine Arts | | 2. History And History Of Civilization | | 3. Archaeology And Ancient Studies | | Top |
| The history of art contemporary perspectives festschrift to Dr. M.L. Nigam
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